Fujisawa Shunsuke Fujisawa Shunsuke (Manzai Writer)
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2018-11-06 09:59:23 UTC

board image I will read the hot thoughts of everyone who is going to give us a lovely comedy, "I am ready to say," If you are coming like this comic book comedy "" Story and Punch Firmly Comedy ", another one of the comic characters It seems to me that the activity to mainstream will be successful ". The comic characters change shape according to the times. Even now comic strips will change shape. It may be obsolete. It is us who can make a flow for becoming another mainstream of a comic artist, "Beautiful story and punishment comedy" by leading! Why do not you join us? We are looking for collaborators! Please see note for details.

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いとこい漫才のような「ストーリーやオチがしっかりとした漫才」を,漫才のもう一つの主流にする活動にご協力してくださる方を探しています!|藤澤俊輔 (漫才作家/オチ屋)|note
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2018-10-12 10:51:13 UTC

board image The liver of a comic is "Relationship between two persons in self". A comic is different from a contrast, it is more important to express "ourselves" than "acting". "You" is already a unique existence, "You two people" is still a unique existence. Since it is comedy to be born based on such a unique conversation between two people, it is always possible to establish "a comic style that only two people can do". If you can even "sublimate" the relationship between self and self in a elementary man ... ... Table of Contents ● Chapter 1 Construction of a comic style · Common points between Hamakaun and Knights and black mayonnaise · "stray" Why do you do it? · What is the relation between the two people? · When the image of a manga does not come up · People who are facing towards the control ● Chapter 2 story making · How to make the most ideal neta · Do not care about the role of "Bokage" and "Tsukkomi" · Where is the "idea" of a unique neta born? · Refining Sophistication for comicing ordinary conversation · "Completion" There is no · comic restoring ability "the power to restore the script to a comic dialogue" · reason why it can not be successfully done ● the third chapter 3 comic practice law · it is boring if it is done on the script main street · person who enjoyed "neta matching" of the award race Is good · How to draw out the partner's taste · Feeling "I want to laugh at the other side" ● Afterword · comic unbounded

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「自分たちにしかできない漫才スタイル」を確立する方法|藤澤俊輔 (漫才作家/オチ屋)|note
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2018-09-26 03:49:27 UTC

board image There may be people who laugh, but I am serious thinking "Let's eat alone with a comic artist". I wrote a plan for that. For those who are not aiming at comic artists, this may be content that is hardly related to maniacs and may not be understood well, but if there are those who support you even then, this information will be posted on Twitter · フ ェ イ ス ブ ッ ク · Hatena bookmark I'd appreciate it if you "diffuse" with. As the number of people who support you increases, I think that this plan will become a reality ... Table of Contents ● Continue writing the scripts of the talk and punishment firmly the script of manga ● How to sell the manga scripts ● Acquire and support fans ● Other work related to comic characters ● Popularization of classical comic characters

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漫才作家だけで食べていくためのプラン|藤澤俊輔 (漫才作家/オチ屋)|note
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2018-09-20 14:11:08 UTC

board image By using "Kozo" as a teaching material instead of a comic, I succeeded in writing the "How to write shabakuri manga". "Kozo" is very short, there is an advantage that "the whole structure of how to make the material is easy to understand", and at the same time, since the basic style is attached to "Kojo", explanation about "how to put" I can do it. In chapter 1 we will explain "How to turn ordinary conversation into a comic" as the basis of the previous stage, and in chapter 2 we will explain "How to write a small girl". After that, in chapter 3 we are talking about "How to refine a manga script".

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「しゃべくり漫才台本(ネタ)の書き方」と「オチのつけ方」を,「小噺」を教材として詳しく解説します。|藤澤俊輔 (漫才作家/オチ屋)|note
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